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Category Archives: 2024-2025 Season

The Fretless feat. Madeleine Roger

Saturday, March 22, 2025

Doors Open at 7pm

Old Town Hall

38 John Street South, Aylmer, ON N5H 2C2

Tickets: $40

plus $5 shipping & handling

Single performance tickets go on sale August 6th

 

Four ferocious players, masterful composition, and a genre-bending sound — Juno award-winning The Fretless is a Canadian quartet that has firmly taken its place on the map to a progressive form of “trad”.

A supergroup of celebrated solo artists, The Fretless has been creating a singular and signature sound that dares to expand the idea of what a string music quartet can be — transforming fiddle tunes and folk melodies into intricate, beautiful, high-energy arrangements that have quickly gained a dedicated following and accolades from around the world. Within what appears to be a simple and classical construct — two fiddles, a viola, and a cello — The Fretless has created a sound that is distinctly rich, multi-layered, and uniquely percussive. This tonal quality is pushing traditional music to new heights, producing a completely fresh approach to Folk music. 

Starting with their debut album in 2012, The Fretless had a breakout year winning Instrumental Album of the Year at the Western Canadian Music Awards and Instrumental Group of the Year and Ensemble of the Year at the Canadian Folk Music Awards(CFMA). Their self-titled follow-up album, “The Fretless”, took home Ensemble of the Year at the CMFA’s and features the tune “Waving To Ryan”, which is approaching two million Spotify plays. In 2015, they released “Bird’s Nest”, an album that solidified them as a force among the world’s roots music scene and earned them a 2017 Juno award for Instrumental Album of The Year. Recorded in a converted barn, straight to tape with a live audience in upstate New York, in 2018 they released “Live from the Art Farm”, an expanded rhythmic, harmonic, and stylistic exploration of the many folk genres they play. This album not only won them a CFMA for Best Instrumental Album but earned them a second Juno nomination.

Since the band’s first album in 2012, The Fretless has been successfully touring at home in Canada, as well as globally throughout Australia, North and Central America, and six European tours. From intimate back rooms and rowdy dance halls to some of the worlds most iconic and prestigious stages, The Fretless has had the honor of performing for a wild variety of audiences. Select credits include the Cologne Philharmonic, Luxembourg Philharmonic Orchestra Hall, Shetland Folk Festival, Festival Internacional Cervantino, two sold-out shows at Celtic Connections, as well as sharing the bill with Canadian fiddle legend, Natalie McMaster, for Canada Scene at the National Arts Centre. A Fretless show is infectious, dynamic, and impressively relentless. They not only deliver expert musicianship, a soulful and electrifying performance but always invite the audience to feel the passion they hold for their music.

In 2021, The Fretless released their most ambitious recording to date — Open House: a 10 track guest singer collaboration, featuring an astounding list of powerhouse vocalists that has absolutely solidified The Fretless as an ever-evolving, truly transcendent group. And this album received a Juno nomination for Contemporary Album of the Year in 2022.  

Outreach and inspiring the next generation of string players is very much a part of The Fretless’ ethos. They continue to support numerous fiddle camps, masterclass’ and workshops around the world, not only as instructors but as mentors. Over the past few years, they have connected with notable organizations such as the Calgary Youth Orchestra and the Luxembourg Youth Orchestra, creating and performing full orchestral arrangements of Fretless tunes, as well as working toward a series of professional symphony presentations.

The Fretless is Trent Freeman (Fiddle/Viola), Karrnnel Sawitsky (Fiddle/Viola), Ben Plotnick(Fiddle/Viola), and Eric Wright (Cello).

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Paul Reddick Band

Saturday, February 22, 2025

Doors Open at 7pm

Old Town Hall

38 John Street South, Aylmer, ON N5H 2C2

Tickets: $30

plus $5 shipping & handling

Single performance tickets go on sale August 6th

 

Singer, songwriter and harmonica player Paul Reddick has been performing his critically acclaimed original songs on stages across Canada, the USA and Europe for over 30 years.

He has recorded and written with Colin Linden, Tom Wilson (Lee Harvey Osmond) and MonkeyJunk among others, and recorded 10 albums of his own. His most recent recording, Ride the One (on Stony Plain Records), received the 2016 Juno Award for Best Blues Album.

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“Saving Ed”

Saturday, January 11, 2025

Doors Open at 7pm

Old Town Hall

38 John Street South, Aylmer, ON N5H 2C2

Tickets: $40

plus $5 shipping & handling

Single performance tickets go on sale August 6th

 

ROD BEATTIE (actor) A veteran of eighteen seasons and over 50 productions with Ontario’s Stratford Festival, Rod Beattie is one of the most respected and versatile actors in Canadian theatre. Featured stage roles include Narcisse in The Passion of Narcisse Mondoux at London’s Grand Theatre; Ed in Ed’s Garage at the Grand Theatre, Manitoba Theatre Centre and Theatre Orangeville; Felix in The Odd Couple at Segal Centre, Montreal; Johnny Pateen Mike in The Cripple of Inishmaan at Theatre Calgary; Bill in The Love List and Greg in Sylvia at the Belfry Theatre, Victoria; John Proctor in The Crucible and Father Gustave in Blessings in Disguise at Manitoba Theatre Centre; the professor in Oleanna at the Grand Theatre and the National Arts Centre (opposite Sandra Oh) and Andy Ladd in an Ontario tour of Love Letters (opposite Martha Henry). Over the past forty years Rod’s name has become synonymous with the Wingfield series which has brought him acting awards, rave reviews and sold-out houses in Toronto, London, Stratford, Victoria, Vancouver, Edmonton, Calgary, Regina, Winnipeg, Ottawa, Saint John, Fredericton

and a host of smaller communities across Canada. Rod and Walt made their American debuts to great acclaim at the Cincinnati Playhouse in the Park in 1994. Rod is the winner of the 1991 – 92 “Dora” Award (best performance by an actor in a leading role) for his performance in the first three Wingfield plays. In 2017, he was appointed Member of the Order of Canada.

Beattie is astonishingly adept at transforming himself from one character to another in a matter of seconds, calling up echoes of a crotchety Walter Brennan, a gawky Jimmy Stewart or a flustered Bob Newhart. -The Toronto Star

With his man-next-door face – perfect for a character like Walt – Beattie flows to other roles with a twist of the lip, an arch of an eyebrow, a different bend in the back and a wonderful array of different voices.The Globe and Mail

DAN NEEDLES (playwright) Dan Needles spent half his childhood in the city and half on the family farm at Rosemont, Ontario. After university he went to work as editor of the local newspaper in Shelburne where he created the character of Walt Wingfield, the retired stockbroker turned farmer, who told about his adventures on the farm in a series of weekly letters to the editor. In 1985, Dan drew from these columns to write his first play, Letter From Wingfield Farm. Wingfield’s Progress followed in 1987, Wingfield’s Folly in 1990, Wingfield Unbound in 1997, Wingfield On Ice in 2001, Wingfield’s Inferno in 2005 and Wingfield Lost and Found in 2009. Thousands of readers have followed Dan’s columns in Harrowsmith-Country Life, Small Farm Canada, Watershed, In the Hills and On the Bay. He has authored a number of multi-character stage plays, including The Perils of Persephone, Ed’s Garage, and The Last Christmas Turkey (a musical). Nominated three times for The Stephen Leacock Award, he won in 2003 for his history of Persephone Township, With Axe and Flask. Dan’s other books include Wingfield’s World (a novelisation of the seven Wingfield plays), True Confessions from the Ninth Concession and his latest, Finding Larkspur. From more than a thousand platforms, Dan has entertained crowds as a banquet and conference speaker, carrying a message of neighbourhood, affection and the power of farmer thinking.

Dan Needles has much the same gift for gentle comedy as England’s James Herriot of All Creatures Great and Small glory.” -The Toronto Sun

a kind of philosophical Will Rogers with a flair for the well told anecdote that is like the best of W.O. Mitchell, AND IT’S FUNNY!

-CKLN Newswave

DOUGLAS BEATTIE (director) became an independent producer and director in 1979. His association with Dan Needles goes back to childhood summers spent on the farm. In addition to heading the Wingfield team, Doug has directed plays at the Stratford Festival; the Belfry Theatre, Victoria; Lighthouse Festival, Port Dover; Theatre Orangeville; the Blyth Festival; the Piggery Theatre, North Hatley; Thousand Islands Playhouse; Gryphon Theatre, Barrie; and the Grand Theatre, London (The Passion of Narcisse Mondoux, Ed’s Garage and The Perils of Persephone). He consulted on Primedia’s television production of Letter From Wingfield Farm, which won the 1991 “Gemini” Award for best performing arts program, and worked as  co-executive producer of the Wingfield TV series. In 1999 Doug founded Touchmark Theatre in Guelph and served as its artistic director until 2009. As president of Douglas Beattie Theatrical Productions Ltd., he markets the recordings of the Wingfield plays.

The third partner, invisible but important, is director Douglas Beattie, who keeps it all seeming simple, but actually being quite complex.

– The Toronto Star

#undertheunionjack  #smalltownbigtalent @aylmerperformingarts

Andre Bisson Band (The Season Is Near)

Saturday, December 7, 2024

Doors Open at 7pm

Old Town Hall

38 John Street South, Aylmer, ON N5H 2C2

Tickets: $40

plus $5 shipping & handling

Single performance tickets go on sale August 6th

 

“This album, this musician. This should be on your list”. – Elmore Magazine

“Deep emotions delivered by an impassioned singer with strong songs and a tight backing band. How can you go wrong?” You just can’t. Pick this soulful work up!
– Blues Blast Magazine

“Prepare to be not just impressed, but moved. On Break, the soulful songs can heal your broken heart, or they can break it, leaving you begging for mercy and begging for more. Just like life itself”
– Rock and Blues Muse

“Whirling sounds of organ, bountiful blasts of brass, and a groovy sax solo puts me in my happy space” Philly Cheeze’s Rock and Blues Reviews

“Proving himself as a true artist through and through time and time again, Bisson checks off every box with Break” – Canada Beats

This Hamilton-based band’s horn-based retro soul moves markedly forward with an
all-original program by Bisson, the bandleader, vocalist and guitar player and sometime piano player.
One listen, though, will tell you that he has a fine group of willing accomplices on board.
Add in a couple of guests and you can transport yourself right back to the Club Bluenote.
“Bad Scene” serves up a slab of funk for the opener. “Wasting Time” & “Timeless Love”
keep the groove going with gorgeous melodies, something Bisson excels at.
– John Valentyn – Toronto Blue Society – Maple Blues Magazine

#undertheunionjack  #smalltownbigtalent @aylmerperformingarts

Ensemble Vivant

Saturday, November 16, 2024

Doors Open at 7pm

Old Town Hall

38 John Street South, Aylmer, ON N5H 2C2

Tickets: $40

plus $5 shipping & handling

Single performance tickets go on sale August 6th

 

ioneering piano chamber music sensation ENSEMBLE VIVANT, “Canada’s Chamber Music Treasure” (John Terauds, Toronto Star), burst onto the international concert and recording scene over 30 years ago with exciting, innovative genre-diverse programming including Classical, the syncopated rhythms of Ragtime, The Great American Songbook, Latin and other Jazz-related styles. Veteran Jazz Icon, musician, composer, arranger Rick Wilkins, C.M. commented: “This is the highest-level chamber music-making. No matter the genre, there is magic in Ensemble Vivant’s music-making.” A favourite among audiences, Ensemble Vivant is also known for its warm and engaging rapport and its passionate, deeply communicative playing that touches the hearts and souls of listeners of all ages, bringing them lasting joy. As Opening Day Entertainment Group (ODEG) recording artists, Ensemble Vivant has 15 internationally acclaimed CDs that are heard regularly on radio and digital platforms around the world.

#undertheunionjack  #smalltownbigtalent @aylmerperformingarts

Dan Mangan

Friday, October 18, 2024

Doors Open at 7pm

Old Town Hall

38 John Street South, Aylmer, ON N5H 2C2

Tickets: $50

plus $5 shipping & handling

Single performance tickets go on sale August 6th

 

#undertheunionjack  #smalltownbigtalent @aylmerperformingarts

The Once

Saturday, September 21, 2024

Doors Open at 7pm

Old Town Hall

38 John Street South, Aylmer, ON N5H 2C2

Tickets: $40

plus $5 shipping & handling

Single performance tickets go on sale August 6th

A modern indie folk trio from Newfoundland, The Once have collected a trio of Canadian Folk Music Awards, numerous ECMA awards, and was named Artist of the Year by the Newfoundland & Labrador Arts Council. They have earned not one, but two JUNO nominations for Roots Album of the Year and continue to take their music around the world.

With the release of 2024’s Out Here, The Once have delivered a thoughtful and playful assembly of songs mingling their musical roots from Newfoundland along with folk, bluegrass, country, Americana, and modern indie rock. Members Geraldine Hollett, Andrew Dale, and Phil Churchill have created a sound representative of their home province of Newfoundland while pushing the boundaries on the great Canadian songbook with their soothing vocal harmony and acoustically rich core.

Lyrically, The Once’s newest collection of songs encompass an arresting sense of loss with the belief that the good can be found in all people, and a desire to bring it out here for everyone to enjoy. A ray of hope in a confusing time. A port in a storm. A provocation with a grin.

This material is soaked with the poetic charm and sunny sadness of the trio’s collective disposition. Written across Newfoundland and recorded in the band’s GingerBeard House studio the band took their time creating this record. “Sometimes music takes a while to flow”, Geraldine Hollett explains. “If you don’t panic and instead surround yourself with people who love you that you can trust, magic can happen.”

Visit theonce.ca

#undertheunionjack  #smalltownbigtalent @aylmerperformingarts

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